Friday, March 23, 2018

10/52

Took a scalpel to this, but not's changed much. We're doing  a big show in June, and I think this is one one I want to polish up for it, but I'm worried it feels a little too sentimental. You've seen it before, and I won't post it here again, but I did put some polish on it, and it's been a while, so I'd still like your feed back.

As a child, the basement was a death sentence.
Filled with innumerable phantoms lurking in the moldy dark
A urine colored fluorescent tube
Tossing sickly manila light in
Fits of maniacal laughter
across the eager tongues of the handsaw
The growling stomach of our water heater
Possessed with the tortured souls
Of innocent children it probably burned to steam our showers
The dusty rocking chair where sat
The headless ghost of a Confederate soldier
The box of holiday decorations
Where an evil clown was probably just waiting to erupt out of
And stab you in the eye with the Christmas Tree Star

To do laundry, you had to brave the descent
My only choice was to
frantically dump however much the fuck detergent
I  had the guts to pour into the machine
while some dark shadow mopped its cold tongue across the back of my neck
till I freaked out and punted the washing machine closed
Launched into a dead sprint up the stairs

Into the quiet light of the kitchen
That haven for refugees
from the cursed chasm
Wherein slept the half empty paint cans
And the spawn of Satan himself

And it was so silly
Being afraid of things I knew were not there

I am walking through the neighborhoods
That I abandoned
After it was decided that you and I were a terrible “we”.
Here lurk vicious figments
Hanging knives in my throat
Like tombstones for all the names I would call you by

I am riding my buses home
staring into an empty window
But feeling the weight
Of a second head asleep on my shoulder

I am shutting the alarm clock off
Reaching over the empty half of a mattress
Where sleeps a patient ghost

In cafes, and movie rooms
In bars, and restaurants
On street corners where good-bye lived
At bus stops, my front door where it was always
Your knuckles rapping
Anywhere I buried kisses
In the soft fire of you

Those places are now dance floors for phantoms
Twirling shipwrecks
Empty bellies growling song requests at the band leaders
So, here we go I swing like flunked outta ballerina school
I race cliff divers into the haunted dark

My heart wants to sprint out of
the basement in my chest
Into the light of my mouth
But my throat keeps slamming the door shut
So it lives there now
And it so funny being afraid of things that are not there

An old love that’s not even a memory
It’s just this fun idea
Like a city you could never fly to
Like I got plane tickets to Atlantis
Like I got an express trip to the year 2009
– I’m gonna get out at the stop where we kissed
the door frame of the kitchen
and everyone at the party got mad at us for blocking the way to the beer

It is a scientific fact
There are a small number of stars that are dead
Who are just reaching us now
But there are sailors that still navigate the path home that way
There are still the hopeful that wish on that flickering light
Pinning hope on Apollo’s dead horses

There are still people trekking through dark neighborhoods
Staring at all those dead stars
Like it were safety at the top of the steps


3 comments:

  1. This is fire, but I want to hear more in the third part. What is it that the speaker wants? You describe not being able to say it -- but is that to the reader too? I think the poem is begging to say, "I want to live in a world without phantoms" and "i want to stop populating my neighborhood with ghosts born inside my own head" -- something like that. Explore the idea of holding yourself back more. Or explore the idea of actually wanting to go back to 2009 more. Or explore the idea of love being something we can't manifest but so much of heartbreak is something we create. I love the stuff about the dead stars still guiding us home. But are you really going to leave us on the "I live in the basement now" sentiment? And if so, then let us knwo what it's like to be living terrified all the time. Dig into that idea. You're ending this one too early.

    ReplyDelete
  2. You can cut this. YOu've made the point already and it's stronger when it's the speaker and this former lover:

    Those places are now dance floors for phantoms
    Twirling shipwrecks
    Empty bellies growling song requests at the band leaders
    So, here we go I swing like flunked outta ballerina school
    I race cliff divers into the haunted dark

    ReplyDelete
  3. I think this might be tonally wrong for the poem too:

    An old love that’s not even a memory
    It’s just this fun idea

    You're talking about fear and running into the light (the safe place) in the context of love. Whether or not love is real feels like a separate idea.

    ReplyDelete

16/52

Tweaking this - find some new value in the game of it. I often found sparring sessions to be a terrible affair glimpses of success l...